Alternative names. Giovanni Pico Della Mirandola. Giovanni ( Pico della Mirandola. Giovanni Pico della Mirandole. Pico Della Mirandola. Giovanni Francesco Pico della Mirandola. Convegno internazionale per il 5 centenario della nascita di Giovanni Pico della Mirandola, Mirandola 1963.
Convegno Internazionale per il V Centenario della nascita de Giovanni Pico della Mirandola (. Pico della Mirandola, Giovanni Giovanni Pico della Mirandola, Gian Francesco Pico. Giovanni Pico.
Pico DellaMirandola, Giovanni / Hrsg.: B urklin, Thorsten.
,Giovanni Pico della Mirandola (:, Italian:;: Johannes Picus de Mirandula; 24 February 1463 – 17 November 1494) was an nobleman. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, and against all comers, for which he wrote the, which has been called the 'Manifesto of the Renaissance', and a key text of and of what has been called the 'Hermetic Reformation'. He was the founder of the tradition of, a key tenet of early modern. The 900 Theses was the first printed book to be universally banned by the Church. In 1976Giovanni was born at, near, the youngest son of, and Count of, by his wife Giulia, daughter of Feltrino, Count of. The family had long dwelt in the (Duchy of Modena), which had become independent in the fourteenth century and had received in 1414 from the the fief of Concordia. Mirandola was a small autonomous county (later, a duchy) in, near.
The Pico della Mirandola were closely related to the, and dynasties, and Giovanni's siblings wed the descendants of the hereditary rulers of, Ferrara, Bologna, and.Born twenty-three years into his parents' marriage, Giovanni had two much older brothers, both of whom outlived him: Count continued the dynasty, while Antonio became a general in the army. The Pico family would reign as dukes until Mirandola, an ally of, was conquered by his rival, in 1708 and annexed to Modena by Duke, the exiled becoming extinct in 1747.Giovanni's maternal family was singularly distinguished in the arts and scholarship of the.
His cousin and contemporary was the poet Matteo Maria Boiardo, who grew up under the influence of his own uncle, the Florentine and scholar-poet.Giovanni had a paradoxical relationship with his nephew, who was a great admirer of his uncle, yet published Examen vanitatis doctrinae gentium (1520) in opposition to the 'ancient wisdom narrative' espoused by Giovanni, described by historian Charles B. Schmitt as an attempt 'to destroy what his uncle had built.'
Education. The Childhood of Pico della Mirandola by, 1842,A precocious child with an exceptional memory, Giovanni was schooled in Latin and possibly Greek at a very early age. Intended for the by his mother, he was named a papal protonotary (probably honorary) at the age of ten and in 1477 he went to Bologna to study.At the sudden death of his mother three years later, Pico renounced canon law and began to study philosophy at the University of Ferrara. During a brieftrip to Florence, he met, the poet, and probably the young Dominican friar. For the rest of his life he remained very close friends with all three. He may also have been a lover of Poliziano.From 1480 to 1482, he continued his studies at the, a major center of in Italy. Already proficient in Latin and Greek, he studied Hebrew and Arabic in with, a Jewish, and read Aramaic manuscripts with him as well.
Del Medigo also translated from Hebrew into Latin for Pico, as he would continue to do for a number of years. Pico also wrote in Latin and Italian which, because of the influence of Savonarola, he destroyed at the end of his life.He spent the next four years either at home, or visiting centres elsewhere in Italy. In 1485, he travelled to the, the most important centre in Europe for philosophy and theology, and a hotbed of secular Averroism. It was probably in Paris that Giovanni began his 900 Theses and conceived the idea of defending them in public debate.900 Theses THE CONCLUSIONS will not be disputed until after the Epiphany. In the meantime they will be published in all Italian universities. And if any philosopher or theologian, even from the ends of Italy, wishes to come to Rome for the sake of debating, his lord the disputer promises to pay the travel expenses from his own funds.
1533-1534During this time two life-changing events occurred. The first was when he returned to settle for a time in in November 1484 and met. It was an auspicious day that Ficino had chosen to publish his translations of the works of Plato from Greek into Latin, under Lorenzo's enthusiastic patronage. Pico appears to have charmed both men, and despite Ficino's philosophical differences, he was convinced of their Saturnine affinity and the divine providence of his arrival. Lorenzo would support and protect Pico until his death in 1492.Soon after this stay in Florence, Pico was travelling on his way to Rome where he intended to publish his 900 Theses and prepare for a congress of scholars from all over Europe to debate them. Stopping in he became embroiled in a love affair with the wife of one of Lorenzo de' Medici's cousins, which almost cost him his life. Giovanni attempted to run off with the woman, but he was caught, wounded and thrown into prison by her husband.
He was released only upon the intervention of Lorenzo himself. The incident is representative of Pico's often audacious temperament and of the loyalty and affection he nevertheless could inspire.Pico spent several months in and nearby Fratta, recovering from his injuries. It was there, as he wrote to Ficino, that 'divine Providence. Caused certain books to fall into my hands. They are books. Of, of and of, oracles of the magi, which contain a brief and dry interpretation of Chaldean philosophy, but full of mystery.'
It was also in Perugia that Pico was introduced to the mystical Hebrew, which fascinated him, as did the late classical Hermetic writers, such as. The Kabbalah and Hermetica were thought in Pico's time to be as ancient as the Old Testament. The most original of his 900 theses concerned the Kaballah. As a result, he became the founder of the tradition known as, which went on to be a central part of early modern.
Pico's approach to different philosophies was one of extreme, placing them in parallel, it has been claimed, rather than attempting to describe a developmental history.Pico based his ideas chiefly on Plato, as did his teacher, Marsilio Ficino, but retained a deep respect for Aristotle. Although he was a product of the studia humanitatis, Pico was constitutionally an, and in some respects he represented a reaction against the exaggerations of pure humanism, defending what he believed to be the best of the and Islamic commentators, such as and, on Aristotle in a famous long letter to in 1485. It was always Pico's aim to reconcile the schools of Plato and Aristotle since he believed they used different words to express the same concepts. It was perhaps, for this reason, his friends called him 'Princeps Concordiae', or 'Prince of Harmony' (a pun on Prince of Concordia, one of his family's holdings). Similarly, Pico believed that an educated person should also study the Hebrew and sources, and the Hermetics, because he thought they represented the same concept of God that is seen in the, but in different words.He finished his 'Oration on the Dignity of Man' to accompany his 900 Theses and traveled to Rome to continue his plan to defend them.
He had them published together in December 1486 as 'Conclusiones philosophicae, cabalasticae et theologicae', and offered to pay the expenses of any scholars who came to Rome to debate them publicly. He wanted the debate to begin on 6 January, which was, as historian Steven Farmer has observed, the feast of and 'symbolic date of the submission of the pagan gentes to Christ in the persons of the Magi'. After emerging victorious at the culmination of the debate, Pico planned not only on the symbolic acquiescence of the pagan sages, but also the conversion of Jews as they realised that Jesus was the true secret of their traditions. According to Farmer, Pico may have been expecting quite literally that 'his Vatican debate would end with the Four Horsemen of the Apocalypse crashing through the Roman skies'. Innocent VIII, 15th centuryIn February 1487, halted the proposed debate, and established a commission to review the orthodoxy of the 900 Theses. Although Pico answered the charges against them, thirteen theses were condemned.
Pico agreed in writing to retract them, but he did not change his mind about their validity. Eventually all 900 theses were condemned. He proceeded to write an defending them, Apologia J. Pici Mirandolani, Concordiae comitis, published in 1489, which he dedicated to his patron, Lorenzo.
When the pope was apprised of the circulation of this manuscript, he set up an inquisitorial tribunal, forcing Pico to renounce the Apologia, in addition to his condemned theses, which he agreed to do. The pope condemned 900 Theses as:In part heretical, in part the flower of heresy; several are scandalous and offensive to pious ears; most do nothing but reproduce the errors of pagan philosophers. Others are capable of inflaming the impertinence of the Jews; a number of them, finally, under the pretext of 'natural philosophy', favour arts i.e.that are enemies to the Catholic faith and to the human race.This was the first time that a printed book had been banned by the Church, and nearly all copies were burned.
Pico fled to France in 1488, where he was arrested by, at the demand of the papal, and imprisoned at. Through the intercession of several Italian princes – all instigated by Lorenzo de' Medici – King had him released, and the pope was persuaded to allow Pico to move to Florence and to live under Lorenzo's protection.
But he was not cleared of the papal censures and restrictions until 1493, after the accession of (Rodrigo Borgia) to the papacy.The experience deeply shook Pico. He reconciled with Savonarola, who remained a very close friend. It was at Pico's persuasion that Lorenzo invited Savonarola to Florence. But Pico never renounced his syncretist convictions. He settled in a villa near prepared for him by Lorenzo, where he wrote and published the Heptaplus id est de Dei creatoris opere (1489) and De Ente et Uno ( Of Being and Unity, 1491). It was here that he also wrote his other most celebrated work, the Disputationes adversus astrologiam divinicatrium ( Treatise Against Predictive Astrology), which was not published until after his death. In it, Pico acidly condemned the deterministic practices of the astrologers of his day.After the death of Lorenzo de' Medici, in 1492, Pico moved to Ferrara, although he continued to visit Florence.
In Florence, political instability gave rise to the increasing influence of Savonarola, whose reactionary opposition to Renaissance expansion and style had already brought about conflict with the Medici family (they eventually were expelled from Florence) and would lead to the wholesale destruction of books and paintings. Nevertheless, Pico became a follower of Savonarola. Determined to become a monk, he dismissed his former interest in Egyptian and Chaldean texts, destroyed his own poetry and gave away his fortune. Angel Appearing to Zacharias (detail), by, c. 1486–90, showing (l–r), andIn 1494, at the age of 31, Pico died under mysterious circumstances along with his friend.
It was rumoured that his own secretary had poisoned him because Pico had become too close to Savonarola. He was interred together with Girolamo Benivieni at San Marco, and Savonarola delivered the funeral oration. Ficino wrote:Our dear Pico left us on the same day that Charles VIII was entering Florence, and the tears of men of letters compensated for the joy of the people.
Without the light brought by the king of France, Florence might perhaps have never seen a more somber day than that which extinguished Mirandola's light.In 2007, the bodies of Poliziano and Pico were exhumed from the in Florence to establish the causes of their deaths. Forensic tests showed that both Poliziano and Pico likely died of arsenic poisoning, possibly the order of Lorenzo's successor, Piero de' Medici. Writings Part of on.In the Oratio de hominis dignitate ( Oration on the Dignity of Man, 1486), Pico justified the importance of the human quest for knowledge within a framework.The Oration also served as an introduction to Pico's 900 theses, which he believed to provide a complete and sufficient basis for the discovery of all knowledge, and hence a model for mankind's ascent of the chain of being. The 900 Theses are a good example of humanist syncretism, because Pico combined, Neoplatonism, Aristotelianism, and Kabbalah. They also included 72 theses describing what Pico believed to be a complete system of physics.Pico's De animae immortalitate (Paris, 1541), and other works, developed the doctrine that man's possession of an freed him from the hierarchical stasis. Pico believed in, as one of his 900 theses was 'A mortal sin of finite duration is not deserving of eternal but only of temporal punishment;' it was among the theses pronounced heretical by Pope Innocent VIII in his bull of 4 August 1487.
In the Oration he writes that 'human vocation is a mystical vocation that has to be realized following a three stage way, which comprehends necessarily moral transformation, intellectual research and final perfection in the identity with the absolute reality. This paradigm is universal, because it can be retraced in every tradition.' A portion of his Disputationes adversus astrologiam divinatricem was published in Bologna after his death. In this book Pico presents arguments against the practice of that have had enormous resonance for centuries, up to our own time. Disputationes is influenced by the arguments against astrology espoused by one of his intellectual heroes, and also by the medieval philosophical tale by, which promoted as a philosophical program.Pico's antagonism to astrology seems to derive mainly from the conflict of astrology with Christian notions of free will.
But Pico's arguments moved beyond the objections of Ficino, who was himself an astrologer. The manuscript was edited for publication after Pico's death by his nephew, an ardent follower of Savonarola, and may possibly have been amended to be more forcefully critical. This might possibly explain the fact that Ficino championed the manuscript and enthusiastically endorsed it before its publication.Early in his career, Pico wrote a Commento sopra una canzone d'amore di Girolamo Benivieni, in which he revealed his plan to write a book entitled Poetica Theologia:It was the opinion of the ancient theologians that divine subjects and the secret Mysteries must not be rashly divulged. The Egyptians had sculpted sphinxes in all their temples, for no other reason than to indicate that divine things, even when they are committed to writing, must be covered with enigmatic veils and poetic dissimulation.
How that was done. By Latin and Greek poets we shall explain in the book of our Poetic Theology. — Commento, Libro Terzo, Cap.
Xi, Stanza NonaPico's Heptaplus, a mystico-allegorical exposition of the creation according to the seven Biblical senses, elaborates on his idea that different religions and traditions describe the same God. The book is written in his characteristic and polemic style:If they agree with us anywhere, we shall order the Hebrews to stand by the ancient traditions of their fathers; if anywhere they disagree, then drawn up in Catholic legions we shall make an attack upon them. In short, whatever we detect foreign to the truth of the Gospels we shall refute to the extent of our power, while whatever we find holy and true we shall bear off from the synagogue, as from a wrongful possessor, to ourselves, the legitimate Israelites. — Heptaplus, Proem to 3rd expositionOn Being and the One (: De ente et uno), has explanations of several passages in, Plato and Aristotle. It is an attempted reconciliation between Platonic and Aristotelian writings on the relative places of being and ' and a refutation of opposing arguments.He wrote in Italian an imitation of Plato's. His letters ( Aureae ad familiares epistolae, Paris, 1499) are important for the history of contemporary thought. The many editions of his entire works in the sixteenth century sufficiently prove his influence.Another notorious text by Giovanni Pico della Mirandola is De omnibus rebus et de quibusdam aliis, 'Of all things that exist and a little more' which is mentioned in some entries on Thomas More's and makes fun of the title of Lucretius'.Cultural references.
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